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Water

Story- 
    Her father asks Chuyia: "Do you keep in mind obtaining married?" She doesn't. He tells her that her husband has died, and he or she may be a widow. She is eight years previous. underneath ancient Hindu law, she is going to be a widow for the remainder of her life. There area unit 2 alternatives: Marry her husband's brother, or throw herself on his mound.


    Deepa Mehta's "Water" is ready in 1938. Even then, laws existed in India that gave widows the liberty to marry, however mutually character observes, "We don't perpetually follow the law once it's inconvenient." Torn from her father's grasp, crying out for her mother, Chuyia (Sarala) disappears into Associate in Nursing ashram controlled by the long widows WHO live there. Her hair is stop. She wears a white garment that marks her. the girl responsible is Madhumati (Manorama), fat, indolent and oppressive, WHO is horrifying to the small woman.

    Then she makes a devotee. this can be the attractive Kalyani (Lisa Ray), WHO alone among the widows has been allowed to wear her hair long, except for a tragic reason. Madhumati has a briefing with the pimp Gulabi (Raghuvir Yadav) to provide Kalyani to loaded shoppers, as a supply of financial gain for the ashram. Kalyani encompasses a puppy, that they hide and love along. Another friend within the ashram is Shakuntala (Seema Biswas), a wise, thoughtful girl WHO queries the foundations of the speculation of widowhood. it's Narayan (John Abraham), an addict of Gandhi, WHO provides the foremost pragmatic rationalization for the traditional practice: "One less mouth to feed, four less saris, and a free corner within the house. Disguised as faith, it's on the subject of cash."


    The unspoken subtext of "Water" is that Associate in Nursing ancient non secular law has been place to the service of family economy, greed and a general feeling that girls are often thrown away. The widows during this film ar treated as if they need no helpful lives except their husbands. they're given life sentences. they're not thus terribly completely different from Irish ladies WHO, having pained someone's ideas of correct behavior, were fastened up within the church-run "Magdalen laundries" for the remainder of their lives. That a movie like "Water" still has the facility to offend within the year 2006 conjures up the question: WHO continues to be pained, and why, and what have they to achieve, and what do they fear?